How did you get started in the music business and how come you found your home on the producer’s side of the glass? Was sound and production something that always interested you? I hope people use the Latin sounds and rhythms effortlessly and without preconceptions about music, to mix things up and create something personal and new…that’s what I’ve always tried to do! I honestly learned a lot recording this Toontrack project, a Zen-like zone of patience in the discipline in controlling velocity and increments of volume for each stroke.
With this project in the rear-view mirror, what are your thoughts on the process and how the sounds came out? How will you use them and how do you hope others will benefit from the product?
#Ezx2 superior drummer 3 how to#
And when just home, going into my building’s sub-basement to practice and trying to learn how to edit video (drum practice going a lot better than video editing!). Walk us through a typical day in the life Robby Ameen in the studio, on tour and when you’re not working!Ī typical day in the studio is being the first arrive to get the drum sound, the ritual of throwing each piece of music on the floor after each final take – and drinking a lot of beer at the end packing up! On tour I try to experience the city or town I’m in, usually by taking a long run in the morning. Highlights would definitely be meeting Dizzy Gillespie for the first time and recording with him the same day, playing “Desapariciones” with Ruben Blades at an Amnesty International concert in Chile for 80,000, where everyone grew so silent you could hear a pin drop, and the sessions for my latest CD, which I’m very proud of!Ī great drum sound is capturing the naturalness of the kit, whatever style or configuration, where you can feel and hear it breathe.
#Ezx2 superior drummer 3 professional#
Looking back on your long career, name a few stand-out moments, professional or personal. You have recorded albums back to back for close to 40 years now. I grew up listening to jazz and funk music but always loved salsa and percussion, so it was a natural marriage combining everything. You have played with all kinds of artists and worked in almost any genre imaginable, but Latin (including its many variations) seems to be the one style you really clicked with. How come you ended up behind a kit? Was drums always your first option?Īside from a brief and unsuccessful year playing the recorder, drums were my first serious instrument – starting with a homemade kit I made when I was about eight or nine years old… I am originally from New Haven, Connecticut and started playing professionally at 14, but also got a degree in Literature from Yale University before moving to NYC in the early eighties. Tell us a little bit about your background! Welcome to two custom kits tailored for Latin and Cuban music, recorded in the aura of a classic New York room by one of the most well-versed drummers in the field – all at your fingertips. In fact, Robby is arguably one of the most influential Latin-oriented drummers of the past few decades with books, instructional videos and much more on his CV – all on the subject of drums in Latin music. Between them, their work spans from the early ’80s through to today and includes collaborations with numerous top artists, awards and accolades. It was all captured at the famed Sear Sound Studios in New York by a team with a much-prominent status in the broad field of Latin music: Grammy Award-winning and Emmy-nominated engineer Dave Kowalski and drummer Robby Ameen. The Latin Cuban Drums EZX features a handpicked collection of drums and a selection of mounted percussion pieces such as bells, woodblocks and a timbale. Welcome to the Latin Cuban EZX, a mix-ready battery of kits tailored for just that – infectious latin-flavored rhythms for anything from traditional to modern.
In fact, in many ways the groove is the song. While rhythm may be the heartbeat of most genres, in Latin music the pulse and the beat is the very lifeblood.
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